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2 Pomeroy Terrace Follow Massachusetts Historical Commission Survey Manual instructions for completing this form. FORM B − BUILDING MASSACHUSETTS HISTORICAL COMMISSION MASSACHUSETTS ARCHIVES BUILDING 220 MORRISSEY BOULEVARD BOSTON, MASSACHUSETTS 02125 Photograph Topographic or Assessor's Map Please see Continuation Sheet. Recorded by: Bonnie Parsons Organization: PVPC Date (month / year): May, 2011 Assessor’s Number USGS Quad Area(s) Form Number 32A-239-001- 012 Easthampton NTH.2117 Town: Northampton Place: (neighborhood or village) Address: 2 Pomeroy Terrace Historic Name: Draper House Uses: Present: Twelve-family residence Original: Single-family residence Date of Construction: 1895 Source: Daily Hampshire Gazette 8/21/1895 Style/Form: Queen Anne Architect/Builder: Curtis G. Page, Architect Exterior Material: Foundation: brick Wall/Trim: clapboards, shingles Roof: asphalt, copper Outbuildings/Secondary Structures: Carriage Barn Major Alterations (with dates): Condition: good Moved: no | x | yes | | Date Acreage: 1.022 acres Setting: This house faces west at the junction of two streets. INVENTORY FORM B CONTINUATION SHEET [NORTHAMPTON] [2 Pomeroy Terrace] MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No. 220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125 Continuation sheet 1 NTH.2117 _x__ Recommended for listing in the National Register of Historic Places. If checked, you must attach a completed National Register Criteria Statement form. Use as much space as necessary to complete the following entries, allowing text to flow onto additional continuation sheets. ARCHITECTURAL DESCRIPTION: Describe architectural features. Evaluate the characteristics of this building in terms of other buildings within the community. The Draper House is one of Northampton’s highest style Queen Anne style houses. Its scale is grand, though its overall plan is relatively simple. The main block of the house is two-and-a-half stories in height under a side-gable roof and attached to the north elevation of the main block is a two-and-a-half story wing. Architect Curtis Page used a theme of intersecting elements to offset symmetry and thereby create a picturesque and somewhat playful elevation. He designed a round tower for the southwest corner of the house that rises three-and-a-half stories and partially intersects one of two cross-gables on the west façade roof. Similarly, the north wing is attached so that it partially covers the gable field of the main block. Neither of these features would have appeared in a conventional Queen Anne building. Page then used the repetition of pediments and gable spandrel walls to unify his design. A stacked porch crosses the first floor level of the west façade and wraps around to the south elevation. This porch’s flat roof rests on clustered, half-length columns above a solid railing. It has a frieze ornamented with carved festooning and its entry is marked by a pediment whose tympanum is filled with carved floral ornament. The pediment is repeated on the north wing where a secondary entry is sheltered by a porch with a front pediment marking the stairs and a half of a pediment on its north side – once again an unexpected intersection. Both tympana are ornamented with carved floral relief. The second story of the stacked main porch is front-gabled and its gable field has a spandrel wall as ornament in front of a shingled field in which a diamond shape has been created in contrasting shingles. The use of the spandrel wall is repeated in the cross-gables on the west façade roof, on the side gables of the main block and on the side gable of the wing’s north elevation. An exterior wall chimney of brick and brownstone laces through the cornice behind the spandrel wall on the south elevation. Further ornament and visual activity is provided by contrasting clapboads and shingles on the body of the house and by the wide frieze that surrounds the building and is ornamented with festooning. Trabeated window surrounds have wide friezes that have festooning as well and mainly have 1/1 sash. The corner tower with its copper-covered bell-shaped roof is topped by a copper pinnacle. HISTORICAL NARRATIVE Discuss the history of the building. Explain its associations with local (or state) history. Include uses of the building, and the role(s) the owners/occupants played within the community. From the Form B of 1975, “This magnificent Queen Anne residence was built in 1895 for John L. Draper, owner of the Mansion House (later Draper Hotel), the major hotel in Northampton. Well sited at a bend in Route 9 (Bridge Street), the large dwelling presents a many-gabled façade to the north and west. Curtis Page, architect of the Draper residence, was also responsible for the design of the Hampton (Plaza) Hotel (1896) still standing at 79-83 Pleasant Street. These are the only Page works in Northampton known of at the time of this writing. Page arrived in Northampton in 1893 and maintained an office in the city u ntil 1899, although Page himself moved to Springfield by that year. The residence was designed under what were, for Northampton, unusual circumstances. J. L. Draper held a competition; each of the three local architects submitted a plan and from these Draper made his selection. Such competitions were rare occurrences in Northampton. The final design for public buildings like schools and churches were often selected from a number of submissions: in 1876, eleven designs for the new First Church were presented; in 1894, eight plans were offered for the new High School building;. In 1895, Draper received plans from H. R. Hayden, Putnam & Bayley, and Curtis Page. The designs undoubtedly differed greatly: Hayden, successor to W. F. Pratt & Son, had a primarily residential and well-rooted traditional clientele; Putnam and Bayley designed commercial, residential, and industrial buildings and had since 1893 captured the lion’s share of the architectural work in Northampton and often secured commissions in surrounding towns. Page was a bit more mysterious. Although listed in town directories as residing in Northampton, Page’s name seldom appears in the Gazettes of the nineties. The Gazette also credits him with few designs at a period when residential building was considerable. That which Page did design was monumental and rich. By 1899, Page was residing in Springfield and had probably transferred his INVENTORY FORM B CONTINUATION SHEET [NORTHAMPTON] [2 Pomeroy Terrace] MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No. 220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125 Continuation sheet 2 NTH.2117 business interests there where development of the suburbs made architecture more interesting and lucrative. As Page & Hayes, Page maintained an office in Northampton.” BIBLIOGRAPHY and/or REFERENCES INVENTORY FORM B CONTINUATION SHEET [NORTHAMPTON] [2 Pomeroy Terrace] MASSACHUSETTS HISTORICAL COMMISSION Area(s) Form No. 220 MORRISSEY BOULEVARD, BOSTON, MASSACHUSETTS 02125 Continuation sheet 3 NTH.2117 National Register of Historic Places Criteria Statement Form Check all that apply: Individually eligible Eligible only in an historic district Contributing to a potential historic district Potential historic district Criteria: A B C D Criteria Considerations: A B C D E F G Statement of Significance by _____Bonnie Parsons___________________ The criteria that are checked in the above sections must be justified here. The Draper House would contribute to a potential Pomeroy Terrace historic district that developed south and east of the Bridge Street Cemetery from the second third of the 19th century as Northampton’s finest residential district. Original residents here were merchants, retired farmers, lawyers, and other professions. As the century progressed the adjacent streets were laid out for the growing middle class with railroad personnel joining clerks, teachers, and others. Architecturally the potential historic district is significant for the fine examples of the 19th century architectural styles from the Greek and Gothic Revivals, Italianate, Queen Anne and Colonial Revival styles. The district includes significant examples of the work of Northampton architect William Fenno Pratt. This potential historic district has integrity of workmanship, feeling, setting, design and materials.